top of page

Create Your First Project

Start adding your projects to your portfolio. Click on "Manage Projects" to get started

Jane Ford's THE FOURSOME

Project type

Theatre

Location

Sterling Studio Theatre

"Sterling Studio Theatre’s The Foursome is an exceptionally acted dark tale of social elitism being performed in Toronto’s Bloordale Village" Reviewer GIAN VERANO

The Foursome is Sterling Studio Theatre’s opening production for their 2013-2014 season. Dark and poignant, this play chronicles the tale of a social ladder-climbing trio whose lives are turned awry when a young heiress to a snack cake empire joins their tennis ensemble.

While at first the premise may seem a little niche and formulaic, the writing for this piece was exceptionally strong and easily relatable. Playwright and performer Jane Ford was able to accurately depict all the pretense and insincerity that one often associates with trying to maintain a social façade.

“Tell me about her husband”

“Well, he’s handsome.” (Awkward pause)

What made the script stand out from other plays that attempt to deliver a social commentary of high society was Ford’s use of small, personal touches within the show’s dialogue. These touches turned everyday mundane conversations into brilliant depictions of the archetypal relationships we’re all familiar with – whether it’s an overbearing mother or an inattentive friend.

The true strength of this piece was the acting. Each cast member gave exquisite performances with their pacing perfectly synchronized. Ford was exceptional as “Kris” – a middle-aged woman struggling with her sexual identity. Caitlin Driscoll, who played the young heiress “Dylan”, perfectly channeled the epitome of entitlement – from the way she poised her body all the way to her valley-girl intonation. For her part, Kirsten Johnson, who played the role of uptight lawyer “Tanda”, was charming and extremely likable. She actually gave me shivers during one scene where she flew into a bout of uncontrollable rage.

But for me, the standout start of the night was Kathryn Greenwood. Playing the role of substance-abusing news anchor “Jaz”, Greenwood excelled at both the comedic and dramatic aspects of the performance. Without spoiling any of the plot, her ‘moment of truth’ scene towards the end was heartbreaking and endearing. It was at that moment that I truly connected with the subject matter of this piece.

Thoughtfully written and masterfully performed, The Foursome kicked off Sterling Studio Theatre’s season with a bang.

LAND ACKNOWLEDGEMENT

We would like to begin by acknowledging the sacred land on which TKBB Toronto operates. This land is the traditional territory of the Huron-Wendat and Petun First Nations, the Seneca, and the Mississaugas of the Credit River. This territory is covered by the Dish With One Spoon Wampum Belt Covenant, an agreement between the Anishinabeg and Haudenosaunee allied nations to share peaceably and care for the lands around the Great Lakes. Toronto is covered by Treaty 13 with the Mississaugas of the Credit, and we are all treaty people. Many of us have come here as settlers, immigrants, or newcomers in this generation or generations past. We also acknowledge the many people of African descent who are not settlers but whose ancestors were forcibly displaced as part of the transatlantic slave trade against their will and made to work on these lands. We honour and pay tribute to the ancestors of African origin and descent. European colonialism and institutional racism have resulted in a great deal of harm to Indigenous Peoples – the effects of which continue to be felt today. As treaty people, we resolve to do better, in our actions and our thoughts, in order to defend Indigenous self-determination, Indigenous women, girls, Two-Spirit and gender diverse people, and make right with all our relations.

TKBB

WE SOCIALIZE

WE ANSWER

We Thought You'd

Never Ask

ARTISTS NEED YOU

Patron Saints of the Arts

bottom of page